Alexander Fiske-Harrison in ‘ABC’: “Many foreigners would not spend a cent in Spain without the bulls.”

The Spanish national newspaper ABC ran the following interview with me last week (with photos by Nicolás Haro).

The online version is available here. The beginning translates in a way you would only find in Spain:

Alexander Fiske-Harrison at his book launch in Seville (ABC)

Alexander Fiske-Harrison: “Many foreigners would not spend a cent in Spain without the bulls.”

Interview by Anna Grau

A British Gentleman passionate about the Fiesta, he is an amateur matador (the “bullfighter-philosopher” they call him) and has published a book on the art of bullfighting.

To Alexander Fiske-Harrison in his own country, which is the UK, some call him the “bullfighter-philosopher.” While others send him death threats, since he has gone from being active supporter of animal rights and a student of philosophy and piology in London and Oxford to being a matador in Spain. He is the author of Into the Arena (Profile Books), treatise on Spanish bullfighting for non-believers and foreigners. Many of which, he notes, come to our country intensely attracted to the fiesta nacional… and would swiftly back from where they came if this disappeared.

How to ask this man what he thinks of bullfighting ban in Barcelona? “Since then, the only money I’ve spent there has been to take a taxi from the airport to the train station to go to run with the bulls in Pamplona, a city that invests 4 million Euros each year in the Feria de San Fermín, and gets in return 60 million Euros from tourism.” Clear cut. Continue reading

Perhaps bullfighting is not a moral wrong: My talk at the Edinburgh International Book Festival

Yesterday evening I immensely enjoyed giving a talk to the sold out audience at the 500-seat Scottish Power Theatre at the Edinburgh International Book Festival on my award-winning book Into The Arena: The World Of The Spanish Bulllfight. It was followed by a discussion with the chair, Al Senter, and the Q&A session with the audience that (along with brief personal chats with about half of those present who came to have their books signed by me in the London Review of Books tent afterwards.) The questions were all well-informed and interesting, not least because, as many of the audience members said to me in person, I’d answered most of the more controversial questions in my opening talk. Here is the transcript of what I said:

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I was going to read from my book, but it seems that the most important topic in the United Kingdom in the 21st Century, indeed in the English-speaking world – when discussing bullfighting – are the ethical issues surrounding the injuring and killing of animals as part of a public spectacle. So I want to address these head on.

As a liberal – in the classical, John Suart Mill sense – it is not my intention, or my place, to tell people whether or not they should approve of or enjoy bullfighting anymore than it is whether they should approve of or enjoy opera. However, when people seek to ban an art form from existing, so that other people may not enjoy it, whatever claims have been made by other people who have never witnessed it, then certain questions have to be raised.

Whatever the motivations behind the ban on bullfighting on Catalonia – and there have been accusations of underhand dealings, thumbing of noses at Madrid to gain votes, which has some circumstantial evidence for it as the popular Catalan regional hobby of attaching burning tar balls and fireworks onto bulls’ horns and letting them into the streets is unaffected by the legislation – anyway, the stated reason is the ethics, or rather lack of ethics, of bullfighting. So, that is what I should like to discuss here.

However, before I can do that, I have to dispel some myths that have long surrounded the bullfight, pieces of propaganda that have been propagated by the anti-bullfight lobby such as CAS International, the League Against Cruel Sports and PETA.

The one I most often hear is the complaint that the matador faces a broken down and destroyed animal. Take a close look at this bull in these photos and tell me how broken down it looks.

Morante de la Puebla performs a ‘veronica’ (Photo: Author)

Continue reading