The Last Matador for GQ (unedited)

Padilla at home (Photo Zed Nelson/GQ/Condé Nast 2012)

It was the last bullfight of the Spanish season, held, as it has been for centuries, in the 250-year-old plaza de toros in Zaragoza in north-eastern Spain.

Juan José Padilla, a 38-year-old matador from Andalusia in the south, was fighting the fourth bull of six (he’d also fought the first.)

The bull, ‘Marqués’, was a 508kg (1,120lb) toro bravo born 5 years and 8 months previously on the ranch of Ana Romero, also in Andalusia. Before entering this ring it had lived wild, ranched from horseback, and had never before seen a man on the ground.

Padilla passing a bull with the magenta and gold two-handed capote, ‘cape’ (Photo: Alexander Fiske-Harrison)

Padilla was midway through the second of the three acts of the spectacle. He had already caped the bull with the large, two-handed magenta and gold cape, the capote, then the picador had done his dirty work with the lance from horseback, tiring the bull and damaging its neck muscles to bring its head down.

Now Padilla, rather than delegate to his team as other matadors do, was placing the banderillas himself, the multi-coloured sticks with their barbed steel heads. He had put in two pairs and was on the third. He ran at the bull with a banderilla in either hand, it responded with a charge, Padilla leapt into the air, it reared, he placed his sticks in its shoulders and landed.

Juan José Padilla ‘places’ the banderillas (Credit: WENN US / Alamy Stock Photo)

Running backwards from the charging bull, his eyes were focused on the horns coming at him in an action he had performed tens of thousands of times before. However, this time his right foot came down slightly off centre and in the path of his left, foot hit ankle, and then he was down.

In a breath the bull was on him and its horn took Padilla under his left ear, cracking the skull there, destroying the audial nerve, and then driving into the jaw at its joint. It smashed up through both sets of molars and ripped through muscle and skin before exploding his cheek bone as surely as a rifle bullet, stopping only as it came out through the socket of his left eye – from behind – taking his eyeball out with it, shattering his nose and then ripping clean out of the side of his head.

There is an image I will never lose, much as I wish I could. It is of a man standing with half his face held in his right hand. Cheek, jaw and eyeball, like so much meat, resting in his palm as he walked towards his team uncomprehending, and they, with looks of absolute horror, grabbed his arms and rushed him to the infirmary of the ring.

The second worst image

And yet here, in the amongst the carnage inflicted on a human body by a half ton of enraged animal, is the key to Juan José Padilla. The clue is in the phrase “stood up.”

Soccer players are stretchered off the field from a tap to the ankle. Boxers go down from a padded glove. This was more than half a ton of muscle, focused into a pointed tip that ploughed through his skull like a sword through snow. And the man got up and walked.

Then came coma and intensive care and surgery after surgery. Continue reading

An Essay On Bullfighting


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José Tomás by Carlos Cazalis from his forthcoming book Sangre de Reyes, 'Blood Of

José Tomás by Carlos Cazalis from his book Sangre de Reyes, ‘Blood Of Kings’

When I first went to my first bullfight 25 years ago, I was 23 and was sure I would hate it. I was a passionate animal lover and had been a keen amateur naturalist since childhood, a member of the WWF (which I remain to this day) & Greenpeace, a former zoology undergraduate student at the University of Oxford, and was at the time a philosophy postgraduate at the London School of Economics and Political Science. (I am currently doing postgraduate work at  King’s College, London, this time in applied neuroscience.)

It should be obvious that this is not an auspicious CV for a future aficionado a los toros.

As expected, what I saw contained many moments of brutality and blood but I was surprised also to find I could see beyond them and feel moments of breathless thrill as well.

What genuinely shocked me, though, was that I could also perceive intermittently, and only with one of the bullfighters present that day, a form of beauty that was entirely novel to me.

In my moral confusion, I decided to research this alien thing, reading what I could in English – Ernest Hemingway, Kenneth Tynan, Barnaby Conrad – and going when possible to see a corrida, a ‘bullfight’, on my annual visits to Spain. Each time I went with a little more understanding and a little less aversion. Some would argue I became more sensitive to the aesthetics, others that I had become more inured to the ethics (or lack thereof.) I wouldn’t like to say either way.

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Into The Arena: The World Of The Spanish Bullfight was published by Profile Books in 2011 and shortlisted for the William Hill Sports Book Of The Year Award – the oldest and richest sports writing prize in the world – the same year.

Following my essay on the subject for Prospect magazine, ‘A Noble Death‘, in 2008 I was commissioned to write a book and moved to Spain for two years. Among other researches, I trained as a bullfighter to the level of matador de novillos-toros, facing endless cattle from old, heavy and wise to young, light and fast. I ended by killing a single animal in the ring, a novillo, a three-year-old bull weighing around a third of a ton.

As part of the research, I also participated in the encierros, ‘bull-runs’, of Pamplona and ran with fear and ignorance among the masses of drunken foreigners and adrenaline seekers who fill those streets.

Unlike those visitors, I returned, and ended up running in towns across Spain, away from the tourist trail and among those born to this bloodless and less ritualised, more pagan practice. This led to my second book on los toros – as editor and primary author – with chapters by the Mayor of Pamplona, along with John Hemingway – grandson of Ernest – Beatrice Welles – daughter of Orson – and many others.

The Bulls Of Pamplona, edited by AFH and co-authored with a foreword by the Mayor of Pamplona and co-authored by John Hemingway, Ernest’s grandson, Beatrice Welles, Orson’s daughter and many others.

This makes me singular in my afición in English-speaking countries but in Spain – or Portugal, France, Mexico, Colombia, Peru, Ecuador, Venezuela – the picture is very different.

Alexander Fiske-Harrison running with the Torrestrella bulls of Álvaro Domecq - striped jacket - in Pamplona (Photo: Joseba Etxaburu - Reuters)

Alexander Fiske-Harrison running with the Torrestrella bulls of Álvaro Domecq – striped jacket – in Pamplona (Photo: Joseba Etxaburu – Reuters)

According to the annual figures on asuntos taurinos, ‘taurine matters’, published by Spain’s Ministry of Culture, the bulls are on the way back for the first time since the world economy collapsed in 2008.

When I first came to Spain to research in 2007 for Prospect magazine there were 3,691 major public bullfights that year, including corridas, of which there were 953, alongside novilladas with novices, and rejoneo with horseback bullfighters.

Following the financial crisis of historic proportions the next year, there was a precipitous drop in numbers, not only for bullfighting but all expensive live spectacles such as theatre and opera. This drop evened out, averaging at a 6% annual fall until I began researching my second book in 2015, when the fall in corridas was 1% per annum.

However, after COVID-19, the number of bullfights of all kinds in total in 2022 was up 8% on 2019 at 1,546 and the number of full corridas up 18% at 412. Continue reading

For The Love Of ‘Toreo’ – article in ‘Boisdale Life’ on bullfighting

Boisdale Life

FOR THE LOVE OF TOREO

When Englishman, Old Etonian and Boisdale regular Alexander Fiske-Harrison travelled to Spain to write  a book on bullfighting, he never imagined that he’d be stepping into the ring himself. But after he picked up  the red muleta for the first time, everything changed

People speak of their first time in the ring in terms of the sweat or the heat, the overwhelming fatigue or the numbing fear, the grittiness of the sand under foot, or the particular odour the Spanish fighting bull brings with it from the corrals. They are all either lying, misremembering or deranged. For such detailed cognition is not how massive levels of acute stress work in the normal human mind.

When you are first faced with a bull your world consists of two things: the animal’s eyes and where they are looking, and the animal’s horns and where they are going. As the saying goes of war: there are far too many things to be afraid of to have time to be scared.

By the time I was facing a large bull – three years old and weighing a third of a ton – I had learned how to control that adrenal flow so that I could devote time to reading the animal. For example, seeing which horn he preferred to lead with (like boxers, bulls are either southpaw or orthodox), and noticing whether he wanted to break into a gallop in a close-range charge or preferred merely to lengthen his stride at a trot. Then there was the choice of pass I’d make with the muleta – the red cloth with a wooden stick for a spine – extended wider with the sword in its folds when used for a derechazo in the right hand, or on its own on the more risky, but more elegant, left for a pase natural.

Continue reading

Iván Fandiño: We Who Are About To Die Salute You…

Death closes all: but something ere the end,
Some work of noble note, may yet be done,
Not unbecoming men that strove with Gods.

(from Alfred, Lord Tennyson’s ‘Ulysses’)

The 36-year-old Basque matador Iván Fandiño was killed by a bull in the ring yesterday in Aire-Sur-L’Adour, near Mont de Marsan, in the Nouvelle-Aquitaine region of southwestern France.

The hierro, ‘iron’ or brand, of the ranch of Baltasar Ibán along with its colours.

The bull, Provechito No. 53, was born in March 2013 in El Escorial in the province of Madrid, on the well-known as respect ranch of Baltasar Ibán – founded 1920 – whose herd is of the Contreras bloodline – whose origin is the historic Murubé line – with a touch of Domecq – whose origin is the historic Parladé line.

It was the third of six bulls fought that evening, and was actually being fought by the matador Juan del Álamo when Fandiño stepped in to perform a quite upon it – a sequence of artistic manoeuvres with cape done after the bull has faced the mounted picador with his lance.

This is not an uncommon occurrence in the centuries-old scripted sequence of a corrida. The corrida is not a sport, nor a fight (even though I use that English verb as “torear” has no proper translation) – nor thought of, discussed or reviewed in the papers as such. It is a tragic spectacle culminating in a ritual sacrifice.

Fandiño had already been awarded an ear from his own bull, the first of the evening as most senior matador – he became a full matador in 2005 in Bilbao (he was the only Basque matador at the time of his death) – and clearly thought this bull special enough that he could do something to entertain, impress or move the audience with it.

July 11, 2013-Pamplona, Spain- Matador Iván Fandiño does a pase de pecho with a bull from the ranch of Torrestrella of Álvaro Domecq (Photo © Jim Hollander / EPA)

Continue reading

An Essay On Bullfighting


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José Tomás by Carlos Cazalis from his forthcoming book Sangre de Reyes, 'Blood Of

José Tomás by Carlos Cazalis from his forthcoming book Sangre de Reyes, ‘Blood Of Kings’

When I first went to a bullfight 17 years ago, I was 23 and was sure I would hate it. I was a passionate animal lover and had been a keen amateur naturalist since childhood, WWF & Greenpeace member and zoology undergraduate. Not an auspicious CV for a future aficionado de los toros.

As expected, what I saw contained many moments of brutality and blood  but I was surprised also to find I could see beyond them to feel moments of breathlessness thrill as well. What genuinely shocked me, though, was that I could also perceive intermittently, and only with one of the bullfighters present, a kind of beauty that was entirely new to me.

In my moral confusion, I decided to research this alien thing, reading what I could in English – mainly Ernest Hemingway and Barnaby Conrad – and going when possible to see a corrida, a ‘bullfight’, on my irregular visits to Spain. Each time I went with a little more understanding and a little less aversion. Some would argue I became more sensitive to the aesthetics, others that I had become more inured to the ethics (or lack thereof.) I wouldn’t like to say either way.

into-the-arena-coverIn 2008 I was commissioned to write a book on the subject and I moved to Seville for two years and among other researches I trained as a bullfighter to the level of matador de novillos-toros – a novice level matador de toros bravos – ending by killing a single animal in the ring, a novillo, a three-year-old bull weighing around a third of a ton. (Into The Arena: The World Of The Spanish Bullfight was published by Profile Books in 2011 and shortlisted for the William Hill Sports Book Of The Year Award the same year.)

As part of the research, I also attended the encierros, ‘bull-runs’, of Pamplona and ran with fear and ignorance among the masses of drunken foreigners and adrenaline seekers. Unlike those visitors, I returned, and ended up running in towns across Spain, away from the tourist trail and among those born to this bloodless and less formal, more pagan practice. I ran with the bulls from San Sebastián de los Reyes in the suburbs of Madrid, to Falces, where you hurtle pell-mell down a goat-path, bordered by a sheer drop, in the foothills of Navarran Pyrenees. From Tafalla, also in Navarre, which resembles Pamplona in the 1920s to Cuéllar in Old Castille, which hosts the most ancient encierros in Spain.

(The book I edited and co-authored with the Mayor of Pamplona, Ernest Hemingway’s grandson, Orson Welles’s daughter and the finest bull-runners including the late Julen Madina, Jokin Zuasti and Reuters & EPA photographer Jim Hollander, The Bulls Of Pamplona (And Beyond), was published by Mephisto Press in 2017, available online here.)

I may be something of an oddity in my afición in English-speaking countries – although there is a Club Taurino of London as there is of New York – but in Spain (or Portugal, France, Mexico, Colombia, Peru, Ecuador, Venezuela) the picture is very different.

Alexander Fiske-Harrison running with the Torrestrella bulls of Álvaro Domecq - striped jacket - in Pamplona (Photo: Joseba Etxaburu - Reuters)

Alexander Fiske-Harrison running with the Torrestrella bulls of Álvaro Domecq – striped jacket – in Pamplona (Photo: Joseba Etxaburu – Reuters)

According to the annual figures on asuntos taurinos, ‘taurine matters’, published by Spain’s Ministry of Culture, the bulls are on the way back for the first time since the world economy collapsed in 2008.

The number of full-fledged corridas in 2015 stabilised at 394, down only 1% since 2014 compared with that year’s drop of 7% on the year before and 10% before that.

There were even large increases in some regions – Andalusia, Aragon, Murcia, the two Castiles and the Basque Country – and it seems that Madrid was the real fall, perhaps a reflection of the strange political stirrings going on in the capital.

The number of bullfights in the broader sense of the word – including novilladas for novices and rejoneo for horseback toreros etc., – 80% of which occur in Andalusia, Madrid and the two Castiles,  had fallen by 7% to 1,736, but this after a slight increase the year before.

Far more importantly in a country where subsidies distort the market, the number of people actually attending bullfights in 2015 was up to 3.7 million, an increase of more than a third of a million since 2011 when my book came out. Back, in fact, to pre-financial crisis levels.

This is alongside some 6.4 million having watched bullfighting on the television to which it had only returned in 2015 (and half a million more on the internet.) Continue reading

Love of animals or hatred of man?

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El País, Spain's equivalent of The Guardian (The Guardian ran the story here.)

El País, Spain’s equivalent of The Guardian (The Guardian ran the story here.)

Francisco Rivera Ordóñez, born to fame… and to pain

This is the headline of the article by Antonio Lorca, bullfighting critic, in the culture section of El País, Spain’s left of centre national newspaper. Francisco is, along with his brother the matador Cayetano, heir to the greatest dynasty in the history of bullfighting.

Their father was Francisco Rivera Peréz, ‘Paquirri’, killed by a bull in 1984, a death made all the more famous since it was televised, as were his final moments on the surgeon’s table, telling the panicking medical staff that it didn’t matter, to remain calm. The effect of this death on his youngest son, my friend the matador Cayetano, I quoted in my previous post. I am sure his older brother Francisco felt similarly.

How Cayetano feels today I dare not ask: Francisco, who had also taken his father’s nom de guerre Paquirri, was gored by a bull in Huesca in Aragon in north-eastern Spain, a horn entering his abdominal cavity to a depth of 25cm – or a foot – hitting everything from his spine to his aorta in its visceral trajectory. As an admirer who has always found him charm itself in person, I wish him a swift and complete recovery.

In fact, let me rephrase that, as a human being of good conscience, I wish him a swift and complete recovery. Even were I to think the method of killing cattle used in the bullrings of Spain morally inferior to that in our British or American slaughterhouses I would not wish my fellow man anything else.

Yes, the bullfight – as we wrongly translated the word corrida – is a twenty-minute long staged ‘combat’ from the bull’s perspective (it is a dance from the man’s hence it is reviewed as such in the culture section) and some people might think this is worse than queuing for hours with the stench of death in the abattoir, even despite the average fighting bull dying at 5-years-old after living wild in forests while the average meat cow is reared in a corral or pen and died at 18 months, but that arguable ethical stance wouldn’t make me wish death on the practitioners of the art and craft of toreo. I eat cattle on the whim of their flavour, not from any need. This tells me everything about their actual moral status. N.B. All of the carcases end up in the food chain.

Francisco is carried wounded from the ring. Although not toreando, 'fighting', that day, the matador Juan José Padilla ran in unarmed to help save his injured friend. He was my first teacher in the ring, and I wrote the sotry of his comeback after he lost his eye for GQ here.

El Mundo, Spain’s equivalent of The Times. (My interview with Francisco’s brother Cayetano for the Sunday Times magazine is here. The man with an eyepatch carrying him is my friend the matador Juan José Padilla. My account of his comeback after losing his eye to a bull is in GQ magazine here.

Police asked to act against ‘death threats to Fran Rivera on Twitter

However, in some cases an apparent – and loudly asserted – love of animals is actually a device to justify and conceal a deep hatred of humanity, especially of any variations or differences in it, anything that disagrees with your world view: the mask of overt and virtuous love soon slips to reveal skull of snarling, spitting hate beneath. Such as we see in the headline above. Much the same, I suspect, was true in the case of the unfortunate old lion, who people insist on calling Cecil as though he would have come if called, who was illegally shot in Zimbabwe. (I wrote about it in some detail on my personal blog here.) Continue reading

Bullfighting Roundup

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This year was meant to be a quiet for me in terms of los toros, but instead I find myself booked to run the encierros – ‘bull runs’ – and watch the corridas – ‘bullfights’ (a misnomer, it is neither a fight nor a sport, but a dramatic spectacle culminating in a ritual sacrifice)- and capeas – ‘messing about with bulls’ (?) – in Tafalla and Falces in Navarre, San Sebastián de los Reyes in Madrid and Cuéllar in Old Castile – the four fingers of la mano de los encierros  – of which Pamplona is el pulgar, fuerte y torcido – ‘the strong, crooked thumb’.

While the newly deputised Lucy has done a great job in summing up this year’s Fiesta of San Fermín over at ‘The Pamplona Post‘ (and I have written on non-taurine matters at ‘Xander’s Blog‘), I thought I’d better write a few words on the world of the bulls.

El Cid in Seville in 2011 (Photo: Alexander Fiske-Harrison)

I do not go to this small but emblematic selection of the hundreds of encierros in Spain to watch good corridas. I do not believe in running bulls on the morning of their corrida any more than I would advocate a hard morning work-out for a race-horse, or a ballerina, or a chess player, or a fencer…

Seated, L-R, Jim Hollander, David Mora and Julen Madina (Photo: Alexander Fiske-Harrison)

Seated, L-R, Jim Hollander, David Mora and Julen Madina (Photo: Alexander Fiske-Harrison)

However, I did once see an excellent and educational performance by El Cid in Cuéllar, no more than four foot away from me in my relatively cheap front row seats in the shade (barrera sombra, bought from the ticket window at the ring that day.) So I am happy to see Cid fighting once again, along with David Mora, although he did say to me on the last day of Pamplona’s feria that he would not be able to bullfight again until next year, so one wonders who will replace him.

If the left-wing press is to be believed, all is not well in the world of the bulls in general. The centre-right governing party of Spain, El Partido Popular, has become not so popular, and as a result local government elections have put various centre left, crypto-Trotskyist and quasi-anarcho-syndicalist people in power at the lower levels. This has resulted in a call in a dozen municipalities, including cities such as Alicante, for referenda on whether these events should be banned altogether. Even in Madrid,

the new city government, led by Mayor Manuela Carmena of the leftist bloc Ahora Madrid, has given up its box at Las Ventas bullring. Carmena has announced that she intends to turn the Spanish capital into “an animal-friendly city” and supports eliminating all subsidies to bullfighter training schools and bullfights.

(Courtesy of El Pais)

All this despite the fact that in 2014 the newly released figures from the Ministry of Culture show that for the first time since 2007 when the economic collapse began, the number of bull-based festivals in Spain actually increased.

Last year there were 1,868 taurine festivals, an increase of 0.5% on 2013. Yes, corridas de toros – full-scale, old school ‘bullfights’ – are down 7% to 398, but advanced novice corridas, novilladas con picadors,  are up, as is horse-back bullfighting, rejoneo, and corridas mixtas which combine bullfighting on foot with rejoneo.

This is largely to do with an economic resurgence starting in the province of Madrid (77.6% of all festivals are held in the regions of Andalusia, Madrid, Castille and Leon and Castille and La Mancha.)

It is also interesting that since San Sebastián, the Basque seaside town,  was recovered by Basque Nationalist Party (PNV) from the radical leftists of Bildu, the ban on bull events has been lifted.

A final little interesting factoid. There are 10,194 registered professional bullfighters of all varieties in Spain of whom 249 or 2.4% are women. 801 are fully-fledged matadors while 3,018 are novice matadors.

This year running with the bulls in Pamplona, I fell in probably the most dangerous place on the run, the narrow entry into the bull-ring, where if the bulls don’t get you, the people falling on top of you will – that is not hyperbole, in 1977 José Joaquín Esparza died from crush-injuries in a pile-up in exactly that place. Although I advise beginners against it, I could see the way was clear of cattle and got up and ran safely into the ring. Jim Hollander caught the moment I fell – and even though it is clear I was pushed, as a matter of decency we call it falling, people in panic cannot be blamed.

Alexander Fiske-Harrison in his striped jacket (Photo: Jim Hollander)

Alexander Fiske-Harrison in his striped jacket (Photo: Jim Hollander)

All throughout that day, including while providing humorous commentary for NBC’s Esquire Network, I had a phrase of Robert Browning going through my head.

“We fall to rise.”

Alexander Fiske-Harrison, centre, with the 'Men in Blazers' for Esquire TV (Photo: Toni-Ann Lagana)

Alexander Fiske-Harrison, centre, with the ‘Men in Blazers’ for Esquire TV (Photo: Toni-Ann Lagana)

So do the bulls. I’ll leave you with the astonishing recent words of my dear friend, the matador Cayetano Rivera Ordóñez, whose father the star matador Paquirri, was killed by a bull in the ring in 1984. Forgive my translation, Cayetano, of these emotional words. (He speaks English far better than this, I just can’t translate the conversational idiom of his Spanish without deviating wildly from his words.)

“Personally, I can say that the bull was for a long time that which taught me to hate.  I lost my father to the bull when I was 7 years old and at that age and much later I still had no awareness of why things happen, but precisely because of the bullfighting culture, the ‘taurine’ education, the respect, the values that my family taught me about our tradition and our culture I learned to forgive, to respect and to love the animal that today and I am here to show respect and love for. As a bullfighter I ask the respect to keep doing what I love: with all the respect and love that I feel for the animal. When I speak of my bull’s rights, and although it sounds like a cliché, to a bullfighter there is no one that respects and loves the bull more.”

Ernest Hemingway and Antonio Ordonez - Alexander Fiske-Harrison and Cayetano Rivera Ordonez, his grandson

Ernest Hemingway and Antonio Ordonez – Alexander Fiske-Harrison and Cayetano Rivera Ordonez, his grandson

Alexander Fiske-Harrison

P.S. I should also point out a piece on Pamplona in the Daily Telegraph magazine last Saturday (online here.)

Telegraph

The Cult Of The Bull

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As the 2013 season draws to a close, I have just received my copy of Olé! Capturing the Passion of Bullfighters and Aficionados in the 21st Century, which is filled with chapters and photos by some the foremost among the English-speaking faithful in the Spanish ‘Cult Of The Bull’, brought together and edited by Hal Marcovitz. (Available at Amazon in the US here, and the UK here.)

There are also wonderful photographs, alongside those by Jim (who is responsible for the stunning cover), from my dear friend from Seville, Nicolás Haro, shortlisted contestant for the internationally presitigious Photo España prize.

(Nicolás also took the black and white photos in my own William Hill Sports Book of the Year shortlisted Into The Arena: The World Of The Spanish Bullfight.)

His work on horses is being exhibited in an exhibition in Seville on December 3rd (for which I have literally just filed the ‘foreword’ to the catalogue.)

Photo Espana Nicolas Haro

I should add a mention of my review of the complete letters of Hemingway, from the period 1923-1925, when his interest in bullfighting and Spain first developed, for The Spectator, online here.

However, it is not my own writing I should like to promote in this blog post, but that of the other writers in Olé!, some of whom I have not exactly seen eye-to-eye with over the years.

Continue reading

The Dead Gods With Cold Eyes

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I submitted this article for my column in Taki’s Magazine. However, I was told by the editor that she’d had quite enough about bulls. Which is ironic, given what it says. Anyway, here it is, for what it’s worth.

Alexander Fiske-Harrison

Alexander Fiske-Harrison waiting for the bulls, Cuéllar 2013 (Photo: Enrique Madroño Arranz)

Alexander Fiske-Harrison waiting for the bulls, Cuéllar 2013 (Photo: Enrique Madroño Arranz)

Dead Gods With Cold Eyes

I nearly died the other day. Not, like the time before when John Hemingway, Ernest’s grandson, pulled me out from a stampede in Pamplona or the time before that when Eduardo Dávila Miura pulled me out of a bull-ring in Palma del Río. This time was for real.

Alexander Fiske-Harrison begins to run with the bulls, Cuéllar 2013 (Photo: Enrique Madroño Arranz)

Alexander Fiske-Harrison begins to run with the bulls, Cuéllar 2013 (Photo: Enrique Madroño Arranz)

I was running with the bulls of Cuéllar, which is a much like running with the bulls of Pamplona, only the town is smaller, the encierro – ‘bull-run’ – more ancient (the most ancient, in fact, as I wrote in the Financial Times) less crowded, and those that do turn up are mainly local, all Spanish, with not a drunk or first-timer among them.

Cuellar photo 3 blogDespite this I still managed to bump into someone as I passed a lone, stationary bull in a narrow stretch of street. Being lighter than me, he was knocked to safety, but I dropped where I was and the commotion drew the bull’s eyes – black, bovine, lifeless and colour-blind, following only movement – and it charged across the street, skittering to a halt on its hooves as I similarly fought for grip in my new, untested running shoes.

With my back against the wall, its horns either side of my chest – literally – and, unlike in Pamplona or an official plaza de toros, no surgeon within a forty-five minute drive, I saw my own death ahead of me. However, for some reason the bull decided today was not my day and moved on, most likely because I had the presence of mind to freeze, making myself invisible to the clockwork brain behind the horns. Continue reading

An English farewell – ‘Una despedida Inglés’

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A portrait of me by Nicolás Haro

I wrote on this blog just before the April Fair that I first came to Seville on the back of a broken relationship ten years before. My dates were wrong: it was in June. This June, I found myself back again.

Seeing things through different eyes, a realisation came over me, which I have expressed in my column in today’s issue of Taki’s Magazine, centring as it does on the saddest story in cinema, Orson Welles. Even the title is a quotation from the great man: ‘The Second-Hand Men’. As I write there,

Welles either couldn’t admit to himself or couldn’t say out loud that the more pressing issue is not just becoming audience rather than artist, but in being fêted for just sitting in the stands and reveling in that. At this point one has slid from the morally and aesthetically questionable world of the voyeur to the far more reprehensible one of poseur.
(To read the column in full click here.)

Cf., the photo above…

At the same time, fate conspired me to spend a little time with all the people who helped me make, and themselves made up, my book on this beautiful and strange land, Into The Arena: The World Of The Spanish Bullfight.

As I describe in the column, I stood in front of the last lot of Saltillos ever to exit the gates of Félix and Enrique Moreno de la Cova’s ranch ‘Miravalles’, alongside my former Maestro, the ex-matador Eduardo Dávila Miura. And given what I used to be able to do…

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Me with a Saltillo bull in 2010 (Photo Nicolás Haro)

… what remained of my bullfighting technique was a rather poor thing…

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Me with a Saltillo becerra in 2013 (Photo: Miguel Santos)

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Me with a Saltillo becerra in 2013 (Photo: Miguel Santos)

However, it was still an emotional day with a large audience, many toritos and vaquillas, young bulls and cows, for the toreros practicós, ‘amateur bullfighters’, and a beautiful long lunch at the former Saltillo finca ‘La Vega’ afterwards, even if I was not in any condition to enjoy it as much as I should.

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The last capea of Saltillo at Miravalles (Photo: Miguel Santos)

Having realised that I was now just a torero on paper – a second-hand guy on the sand – I decided to quit while I was still ahead. (The bulls gave me a great deal, and I gave a great deal back, but they took something as well.)

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A portrait of me by Nicolás Haro

First, I paid a visit to my old friend and frequent collaborator, the photographer Nicolás Haro, who took these portrait shots while I could still fit into my traje corto. Hopefully, Nicolás and I will soon be collaborating once more on a book about the psychological link between horses and men, a centaur project to balance our minotaur one (Nicolás took the black and white photos for Into The Arena.) The initial collection of Nicolás’s photos for this project have already been nominated for one of the most prestigious international photographic contests held in Spain: PhotoEspaña.)

I will, once I have completed my new novel, finished the task of washing the blood from my hands with a book on what Teddy Roosevelt called “the beast of waste and desolation” and Man’s Best Friend: wolves and dogs.

That said, as you can see from the cover of this new book, Olé! Capturing the Passion of Bullfighters and Aficionados in the 21st Century, due to be published in the United States in the next few weeks, I have been writing on the bulls up to the very last minute (my chapter also contains great photos by Nicolás.)

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Before I left, I even got to say farewell to that one-eyed gladiator, my first teacher, Juan José Padilla, when he fought in the feria de manzanilla in his home town of Sanlúcar de Barrameda. (These photos are by me.)

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JJ 4

20130612-011107.jpgAnd then a last adíos to that matador de arte from the greatest of the taurine dynasties, my dear friend Cayetano Rivera Ordóñez, who was my chauffeur from Seville to Ronda so I could talk about Orson Welles, whose ashes are interred at his family home.

So, all that remains for me to do is say farewell to the streets of Pamplona in July with a couple of runs among their bulls, and those of that other, and more ancient, bull-running town Cuéllar in August (I wrote comparing and contrasting them in the Financial Times last weekend, linked to here.) I even have an invitation from Cayetano to join him in the ring (on a ranch in Ronda) one last time for “amusement” on the morning of the Feria Goyesca. We will see…

However, such amusements and formalities to one side, I’m done here. “There’s a world elsewhere.”

Alexander Fiske-Harrison

To read my Takimag column in full click here.

P.S. In a neat and final symmetry, having reached my highest point on talking about the bulls – the speech I gave to the Reform Club at the request of, and beside, the Spanish Ambassador – I have now gone full circle and been invited to talk about the bulls at my old school, Eton. I wonder if they know I’ll be running my last runs in my Eton College Athletic Club Colours blazer (400m). It’s the striped one on the right – I have my hand on the bull for balance – in this Reuters photo in 2011.

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